Marie-Thérèse-Charlotte in Art

As for Thérèse, the long-cherished wish of Artois was fulfilled, for she consented to purchase a new gown for the occasion. In the dawn glow of her chamber at Hartwell, her ladies had breathed forth their admiration at seeing this princess swathed in softly shimmering folds of oriental silk, a flowing, voile shawl trimmed with silk tassels, high kid gloves and satin slippers, all in purest white. The double band of pearls which bound her head and chestnut coils, the white plumes, the ivory fan, and the nosegay of camellias, accented the simple elegance, modest grandeur, and self-effacing majesty of her slender form. ~from Madame Royale by Elena Maria Vidal

From the narrative of Marie-Therese de France:
[After the death of the king] … nothing was able to calm the anguish of my mother–we could make no hope of any sort enter her heart; she was indifferent whether she lived or died. She looked at us sometimes with a pity that made us shudder. Happily, grief increased my illness, and that occupied her. My own doctor, Brunier, and the surgeon La Caze were brought, and they cured me in a month

Sophie wrote:The baby Madame Royale with her proud parents... lovely



I also found it on the site "Viva la Reine".

The only surviving daughter of Louis XVI and Marie-Antoinette imitated her parents' example of alms-giving to the poor. (From Vive la Reine.) Is that a brioche on the mantelpiece?

Interview of the duc and duchesse d’Angoulême in December, 1823 by Etienne Barthélémy Garnier

The duchesse d’Angoulême or Marie Thérèse Charlotte, daughter of Louis XVI and Marie Antoinette, was married to her cousin, Louis Antoine, the son of Charles X (the comte d’Artois) and Marie Thérèse de Savoy, the comtesse d’Artois.